Today we go back to Inside and Out and I’ve got one of the giants of the accordion world to take apart for your delectation and delight. For those of you who are new to the blog and don’t know what this series is about, see Parts 1, 2, 3, 4 and 5. This week I’ve been given a set of pictures by Ian Cruickshanks (the same Ian Cruickshanks who took the pictures of the Schwyzerörgeli) from one of his other accordions – his 1950s Shand Morino.
Yes, it’s back! After a gap of three months, Inside and Out is back. I’ve got some exciting boxes yet to come in this series, but the subject of today is the newest addition to my collection, a Hohner Liliput. Specifically, it is a 12 Hayden-style Free Bass B/C+C# Liliput, or “Impiliput” for short. Continue reading
Over the last year, I have been looking at the acoustics of the Charango, a small stringed instrument from the Andean region of South America, using a Polytec Laser Vibrometer. Now that this is all done (got a distinction in it by the way) I got permission to use the equipment for around 5 hours in one day to try and take some measurements of melodeon reeds. Unfortunately I did have only 5 hours and didn’t have much equipment other than the vibrometer, so I was limited in what I could do. In addition, I don’t have MATLAB on this computer, so I am limited in the analysis as well. I hope however that the following is of interest to those intrigued by how the box works. I haven’t concluded anything game-changing, however I hope that this study shows that within 24 hours, interesting experiments can be carried out. If there is anyone out there attached to a research centre who is interested in studying these instruments then please get in touch with me – I would love to hear from you. This is not a formal report, this is not a formal study and nothing should be taken to be conclusive. I think however that it can be considered to be indicative. Continue reading
Hello everyone! I am back! I handed in my Part IIB Project today and am free as a bird until my final presentation next week. So I thought that I would indulge myself by writing a blog post, and as it happens I have a genuinely riveting topic to talk about. Yes, it is indeed, the third instalment of “Inside and Out”, the blog series for melodeon nerds and pretty much nobody else, and today’s topic is the Schwyzerörgeli.
Hello and welcome back to the second installment of the series which literally tens of people are waiting to read. This time, because I haven’t had time to write the long, wordy post that I was going to post, we are looking again at the inner workings of the melodeon, this time this rather lovely Sibylla Brand, a three row G/C/F 12 bass belonging to Malcolm Woods (no relation). All photos are taken by him and I’m grateful for him allowing me to use his instrument in this series. If you have an instrument that you would like to see featured here then please do get in touch. Continue reading
This is the first in a series of posts on the workings of the melodeon.
I am very interested in the melodeon and would like to share some of the thoughts that I have on the design. I think that the best way for me to do this is to investigate the detail of how specific instruments are put together. The first of these is my own Super-Preciosa. I have 3 or 4 instruments after this one lined up, but if you have a box which you think is interesting then please do get in touch and I will write about it! Especially if you have a Lõõtspill… Continue reading