Some of you, the more astute ones perhaps, may be aware that I am interested in fingering systems for accordions. I have already posted on the Loomes Chromatic and am currently working my way through the Atzarin Accordion (very much a work in progress). And, of course, I already play a D/Em melodeon and a B/C+C# with Hayden free bass. Continue reading
Today we go back to Inside and Out and I’ve got one of the giants of the accordion world to take apart for your delectation and delight. For those of you who are new to the blog and don’t know what this series is about, see Parts 1, 2, 3, 4 and 5. This week I’ve been given a set of pictures by Ian Cruickshanks (the same Ian Cruickshanks who took the pictures of the Schwyzerörgeli) from one of his other accordions – his 1950s Shand Morino.
And it’s back to the Acoustics stuff once again. Don’t worry, there will be some less science-y more melodeon-y posts soon!
This, the third part of this series is on how different reeds differ. The first part was an overview of Box Acoustics and the second part (updated recently on the advice of Olav Bergflodt, so give it another read) was on how the reed generated sound. Continue reading
Yes, it’s back! After a gap of three months, Inside and Out is back. I’ve got some exciting boxes yet to come in this series, but the subject of today is the newest addition to my collection, a Hohner Liliput. Specifically, it is a 12 Hayden-style Free Bass B/C+C# Liliput, or “Impiliput” for short. Continue reading
Second post already! I know, prompt. I’m posting this now because my internet access will be fragmented next week until I get internet sorted in my new place.
The first of the series was an overview of melodeon acoustics – the second is about the reed itself. I will make a confession here: I have never been quite happy with the explanation of the melodeon reed. So the following is what I’ve been able to glean from what I can, but shouldn’t be taken as gospel. If at some point I discover more about it then I will let you know. Continue reading
Momentous changes are afoot in my life, as I am moving back to Cambridge to live as a Real Person this weekend. I also had a fantastic gig on Monday supporting the wonderful Lady Maisery at Green Note in Camden for Folk on Monday and have another gig on the 17th of this month, at Baldock and Letchworth Folk Club, supporting Jody Kruskal. So I’ve had a fair amount on my plate and somehow blogging has fallen by the wayside. I’ve started four posts, but this one I have finally finished. Continue reading