If you aren’t at all interested in melodeon fingering layouts then look away now. You have been warned.
My last blog post of 2012 is on an interesting idea. Regular readers may remember that I wrote a little-understood post on classifying accordions a little while ago and mentioned in that post the possibility of Chromatic, Bisonoric, Button Accordions. This I defined as an accordion which uses buttons, having different notes on push and pull and based around a chromatic scale. There haven’t been any such accordions built, but the subject of this blog post is one possible idea. Continue reading →
And it’s back to the Acoustics stuff once again. Don’t worry, there will be some less science-y more melodeon-y posts soon!
This, the third part of this series is on how different reeds differ. The first part was an overview of Box Acoustics and the second part (updated recently on the advice of Olav Bergflodt, so give it another read) was on how the reed generated sound. Continue reading →
Yes, it’s back! After a gap of three months, Inside and Out is back. I’ve got some exciting boxes yet to come in this series, but the subject of today is the newest addition to my collection, a Hohner Liliput. Specifically, it is a 12 Hayden-style Free Bass B/C+C# Liliput, or “Impiliput” for short. Continue reading →
First off, I have a gig at Baldock and Letchworth Folk Club this Wednesday the 17th October. I’ll be playing for 25 minutes or so in support of the fabulous Jody Kruskall. Hope to see lots of you there.
I have now moved into my new residence in Cambridge and very nice it is too. For the first time in around 8 years I have my own desk, which need not be used for anything other than work (or in my case, fettling). The house is still full of instruments, but we are gradually getting on top of that. In a spare moment whilst sorting the house out, I recorded a demo on solo box using a Zoom H2 lent to me by a friend. This is mainly to send round clubs as advertising, but I thought that I would share it with my hypothetical readers as well. Continue reading →
Second post already! I know, prompt. I’m posting this now because my internet access will be fragmented next week until I get internet sorted in my new place.
The first of the series was an overview of melodeon acoustics – the second is about the reed itself. I will make a confession here: I have never been quite happy with the explanation of the melodeon reed. So the following is what I’ve been able to glean from what I can, but shouldn’t be taken as gospel. If at some point I discover more about it then I will let you know. Continue reading →
Momentous changes are afoot in my life, as I am moving back to Cambridge to live as a Real Person this weekend. I also had a fantastic gig on Monday supporting the wonderful Lady Maisery at Green Note in Camden for Folk on Monday and have another gig on the 17th of this month, at Baldock and Letchworth Folk Club, supporting Jody Kruskal. So I’ve had a fair amount on my plate and somehow blogging has fallen by the wayside. I’ve started four posts, but this one I have finally finished. Continue reading →
So, it seems like the good weather has finally arrived, hopefully here to stay. I had fairly good weather last weekend for Chagstock, the highlight of which was seeing the Martin Harley Band on the mainstage. I was playing with Marianne Neary and the gig went swimmingly – probably the best that we have so far done.
I have an exciting few weeks ahead of me. This weekend I am going to Warwick Folk Festival, playing with Gog Magog Molly. I’m then going to the English Acoustic Collective Summer School, which I am looking forward to immensely – a chance to play some music without any other distractions. After that it’s Sidmouth time – this is my 11th I think. I’ll be tutoring with Shooting Roots for the first time which should be fun, even though I’ve never done anything similar in my life. Then finally I’ll be dashing across the country to Broadstairs to play with There and Back Again, my piano trio. Continue reading →
Hello everyone and welcome to yet another installment of “Inside and Out”. To those wondering if the pain will never end, fear not! This is a post rather different from the previous three, for it is not on a melodeon, nor even an accordion, but a Shruti box. It is also a short post, because it is late and I have to go to bed, and because the Shruti box is a simple instrument. Continue reading →