Somehow this blog has got sidelined for a while, which is sad. Being unemployed is getting me down and I am tending to not do any of the things that I should.
However, that changes today, with this post. I was slightly hesitant about writing about this topic, because this knowledge caused a bit of a musical crisis for me earlier this year and I wouldn’t want to wish that on anyone. However, under the assumption that what you don’t know hurts you more than what you do know, the time has come to talk about temperaments. Continue reading →
Firstly, please don’t forget that you can purchase There and Back Again’s new album at our bandcamp page here: http://thereandbackagain.bandcamp.com/. For more details about the album, see here. I’ll stop posting updates here when we’ve sold enough to pay me back my investment, so keep buying!
I will shortly be writing about crooked tunes in more detail, but I thought that I would first share an English crooked tune or two with you, since I haven’t written many posts here about individual tunes. Continue reading →
The text of today’s sermon is on classification. One of the most common questions that I am asked as a melodeon player is “What is a Melodeon?” and its supplementary relative “What’s the difference between that and an Accordion?”. Today I will be trying to answer both those questions. The classification of instruments is loose even compared to that of species, so nothing here is “right”, even as none of it is “wrong”. What I am outlining is a system which makes sense with the instruments that we have and is broadly similar to what most other free reed musicians understand. One note before we start – all of the below classifications are based on the treble end only. There are a number of boxes with different systems for bass and treble end. Since the treble end is generally the tune side, as opposed to the chord side, it is this side which will be classified. Bass systems are for another day… Continue reading →