Hello everybody! Have a listen to this:
Facebook Event: https://www.facebook.com/events/195882387252836/?fref=ts
I have something exciting to announce. I am playing in a ceilidh! Nothing new about that you may say, but this one is special. Continue reading
Some of you may recall that back in March I did my second Inside and Out on Malcolm Woods’ Sibylla Brand G/C/F. Well, it is now the property of someone known only as “Daddy Long Les”, who has just released his version of the story of his new box. There are some interesting shots that I didn’t have, so do take a look. Take a look also at the rest of his videos on playing the melodeon, inspirational stuff for anyone starting out. Continue reading
I have an interest in musical instrument acoustics. I should do, I took acoustics modules this year and my final year project was based entirely on it. And I’ve been looking into all sorts of different instruments, from stringed instruments in my project, to free reeds in my own time. Whilst reading through opinions on what matters and what doesn’t, I have come to realise a fundamental problem in looking at musical instruments. Continue reading
Hello hypothetical readers, how are you? I missed last weekend’s update due to walking induced distraction. I was hiking parts of the Lake District and Peak District as a break from revision, which was welcome. The below shows where I was.
I get a real kick out of playing for dancers, whether Morris or social dancing. There is a connection between dancer and musician which if you get it right can be really quite special. I’m not going to dwell on technique here, but on the sensation of playing for dance.
I am a Part IIB Engineer, which for those of you not familiar with the bizarre and inexplicable Cambridge Tripos system means that I am currently studying for my Masters in Engineering (MEng) at Cambridge, being in my fourth year of four. You can imagine my delight when I realised that I had three different coursework deadlines for the week just gone (I would explain them, but can guarantee that nobody could ever possibly be interested). Continue reading