Well. It has been a while since I last spoke to you, hasn’t it? My apologies. Life moves on, ever more hectically and finding the time to keep up this blog gets ever more difficult. But I shall try. I always seem to have a few posts in mind, I just need to find the time to write them down!
Since last I spoke to you I have been busy. I spoke at a conference in Oxford on Musical Instruments organised by the Galpin Society and gave a poster at the Stockholm Music Acoustics Conference. This was very rewarding. Musically things are starting to pick up again (see this post if you are new to this blog) and I have an extremely exciting project starting, of which more anon. Continue reading →
It is a week of tributes apparently. I am going to break convention by making a tribute to someone whilst they are still alive. That person is Tony Hall.
I remember the first time that I ever heard Tony Hall. It was also the first time that I heard his name. It was at an amazing concert called “The Sound of Hohner” at the Manor Pavilion Theatre during Sidmouth Folk Week 2008 (I think). It was a concert which featured some of the best players of Hohner instruments around, including Tony Hall, John Kirkpatrick (another massive influence), Pete Coe, Ed Rennie (who organised it), Chris Parkinson and others. You had to be there and I’m fortunate in that I was. Continue reading →
They have been an eventful three months, which is my principal excuse for inactivity. I was offered a job part way through January and am now working full time as an Acoustic Consultant (see this post for why), mainly looking at noise management for construction projects. Unfortunately it is a hefty commute away and so most of my time has been spent going to work, commuting and sleeping. I am now getting into the swing of things though, so fingers crossed I should have a bit more time soon. Continue reading →
Today we go back to Inside and Out and I’ve got one of the giants of the accordion world to take apart for your delectation and delight. For those of you who are new to the blog and don’t know what this series is about, see Parts 1, 2, 3, 4 and 5. This week I’ve been given a set of pictures by Ian Cruickshanks (the same Ian Cruickshanks who took the pictures of the Schwyzerörgeli) from one of his other accordions – his 1950s Shand Morino.
If you aren’t at all interested in melodeon fingering layouts then look away now. You have been warned.
My last blog post of 2012 is on an interesting idea. Regular readers may remember that I wrote a little-understood post on classifying accordions a little while ago and mentioned in that post the possibility of Chromatic, Bisonoric, Button Accordions. This I defined as an accordion which uses buttons, having different notes on push and pull and based around a chromatic scale. There haven’t been any such accordions built, but the subject of this blog post is one possible idea. Continue reading →
Somehow this blog has got sidelined for a while, which is sad. Being unemployed is getting me down and I am tending to not do any of the things that I should.
However, that changes today, with this post. I was slightly hesitant about writing about this topic, because this knowledge caused a bit of a musical crisis for me earlier this year and I wouldn’t want to wish that on anyone. However, under the assumption that what you don’t know hurts you more than what you do know, the time has come to talk about temperaments. Continue reading →